Starring : Pawan Kalyan, Sreeleela, Raashii Khanna, Parthiban, Rao Ramesh, KS Ravikumar, and others
Director : Harish Shankar.S
Producers : Naveen Yerneni, Ravi Shankar Yalamanchili
Music Director : Devi Sri Prasad and Thaman
Cinematographer : Ayanaka Bose
Editor :  Karthika Srinivas

Story;

hadhala Marri Nalla Nagappa (Parthiban), who aspires to be Telangana’s chief minister, intends to assassinate the current chief minister, Chandrasekhar Rao (KS Ravikumar). In contrast, his son flees to the Nallamalla forest but disappears inexplicably. The investigation reveals that Ustaad Bhagat Singh (Pawan Kalyan) is responsible for his disappearance. Who is he? What caused him and Nagappa to become at odds? What caused these things to happen, and what is his real motivation? All of these answers are revealed in the move.

Plus Point;

The buzz around the actor-director combo returning with Ustaad Bhagat Singh is significant. Expectations were high, especially with Pawan Kalyan returning to dance numbers after a long gap.
Pawan Kalyan delivers in the manner that he is known for. He is at ease in action sequences, which will appeal to fans. His dialogue delivery lands well, though the comedy works only occasionally.
Parthiban puts in a composed performance. While his character lacks a strong impact, he manages to hold his presence. A few face-off moments between him and Pawan Kalyan are effective.
The recreation of the “Ee Manase” song from Tholi Prema is a clear fan-service moment and works in that space. The Mahankali fight sequence stands out as a solid high point, presenting Pawan Kalyan in a powerful light. The buzz around the actor-director combo returning with Ustaad Bhagat Singh is significant. Expectations were high, especially with Pawan Kalyan returning to dance numbers after a long gap.
Pawan Kalyan delivers in the manner that he is known for. He is at ease in action sequences, which will appeal to fans. His dialogue delivery lands well, though the comedy works only occasionally.
Parthiban puts in a composed performance. While his character lacks a strong impact, he manages to hold his presence. A few face-off moments between him and Pawan Kalyan are effective.
The recreation of the “Ee Manase” song from Tholi Prema is a clear fan-service moment and works in that space. The Mahankali fight sequence stands out as a solid high point, presenting Pawan Kalyan in a powerful light.

Minus Points:

The film leans heavily on familiar commercial tropes, making the narrative predictable. The story offers little novelty and follows a safe, formula-driven path. Harish Shankar prioritizes elevating the star over building a strong screenplay, which limits the film’s overall impact.
The supporting cast is not used enough. Rao Ramesh, Gowtami, and Raashii Khanna have limited scope. Raashii Khanna’s role feels particularly unnecessary and lacks proper closure, making her portions ineffective.
The first half struggles due to weak writing and ineffective comedy, giving it a stretched and uneven feel. The film only shows some improvement in the latter portions.
Thaman’s music lacks impact. The background score and songs feel repetitive, with noticeable similarities to his earlier work, reducing their impact.
The film could have benefited from stronger emotional depth. Sreeleela’s character could have been written with more nuance, while KS Ravikumar delivers a neat and functional performance within his role.

Technical Aspects:

Harish Shankar had the chance to deliver a stronger film but opted for a predictable narrative. The outcome could have been significantly improved with a tighter script. Cinematography by Ayananka Bose is adequate. Thaman’s score is average, and repetition affects it. Karthika Srinivas’ editing could have been more focused, especially in the first half. Good production values exist.

Verdict:

On the whole, Ustaad Bhagat Singh is a formula-driven action drama that delivers a few fan-pleasing moments. The presence of Pawan Kalyan and specific action sequences work in its favor. However, a predictable storyline, weak first half, and underdeveloped characters hold it back. It may appeal to fans, but for a wider audience, it remains a routine commercial outing.

Ustaad Bhagat Sing Movie Trailer Out Now

filmyland Rating: 3.0/5

Reviewed by filmyland Team